Publications

Complete list of publications

Journal articles

  1. B. Caramiaux, F. Bevilacqua, M.M. Wanderley, C. Palmer. Effect of variable tempo learning on skill acquisition. (in preparation)
  2. B. Caramiaux, M. Donnarumma, A. Tanaka. Understanding gesture expressivity through muscle sensingACM Transactions on Computer-Human Interaction (TOCHI), 21(6), pp.1-31. 2015 doi
  3. B. Caramiaux, N. Montecchio, A. Tanaka, F. Bevilacqua. Adaptive gesture recognition with variation estimation for interactive systemsACM Trans. on Interactive Intelligent Systems (TiiS), 4(4). 2014 doi
  4. A. Sa, B. Caramiaux, A. Tanaka. The fungible audio-visual mapping and its experience. Journal of Science and Technology of the Arts, 6(1), pp. 85-96. 2014 doi
  5. B. Caramiaux, J. Françoise, F. Bevilacqua, N. Schnell. Mapping through listening. Computer Music Journal, 38(3), pp. 34-48. 2014 doi
  6. B. Caramiaux, F. Bevilacqua, T. Bianco, N. Schnell, O. Houix, P. Susini. The role of sound source perception in gestural sound description ACM Transactions on Applied Perception (TAP), 11(1), pp. 1-19. 2014 doi
  7. B. Caramiaux, M. M. Wanderley, F. Bevilacqua. Segmenting and parsing instrumentalists' gestures. Journal of New Music Research, 41(1), pp. 13-29. 2012 doi
  8. M. Cornillac, B. Caramiaux, S. Hahmann, G.-P. Bonneau. Interpolation multirésolution de formes 2D. Revue Électronique Francophone d’Informatique Graphique, 3(1), pp. 21-29. 2009
  9. S. Hahmann, G.-P. Bonneau, B. Caramiaux, M. Cornillac. Multiresolution morphing for planar curves. Computing, 79 (2-4), pp. 197-209. 2007

Book Chapters

  1. B. Caramiaux, J. Françoise, F. Bevilacqua. Dynamic Bayesian Networks for Musical Interaction. Routledge Companion to Embodied Music Interaction. 2017 (in presse)
  2. F. Bevilacqua, N. Schnell, D. Schwarz, J. Françoise, E. Boyer, B. Caramiaux. Designing action-sound metaphors using motion sensing and descriptor-based synthesis of recorded sound materials. Routledge Companion to Embodied Music Interaction. 2017 (in presse)
  3. R. Fiebrink, B. Caramiaux. The Machine Learning Algorithm as Musical Creative Tool. Handbook on Algorithmic Music, Oxford University Press. 2017 (in presse) arxiv version
  4. D. Schwarz, B. Caramiaux. Interactive sound texture synthesis through semi-automatic user annotations. Sound, Music, and Motion. Lecture Notes in Computer Science. pp. 372-392. 2014 doi>
  5. B. Caramiaux, F. Bevilacqua, N. Schnell. Towards a gesture-sound cross-modal analysis. In Embodied Communication and Human-Computer Interaction, volume 5934 of Lecture Notes in Computer Science. pp. 158-170. 2010 doi

Conference proceedings

  1. B. Caramiaux, F. Bevilacqua, C. Palmer, and M. Wanderley. Individuality in Piano Performance Depends on Skill Learning. Proceedings of the 4th International Symposium on Movement and Computing (MOCO), 2017
  2. A. Sarasua*, B. Caramiaux*, A. Tanaka. Machine learning of personal gesture variation in music conducting. ACM Conference on Human Factors in Computing Systems (CHI). pp. 3428-3432, 2016 (* equal contribution, acceptance rate: 23%) doi
  3. M. Gillies, R. Fiebrink, A. Tanaka, J. Garcia, F. Bevilacqua, A. Héloir, F. Nunnari, W. Mackay, S. Amershi, B. Lee, N. d’Alesssandro, J. Tilmanne, T. Kulesza, B. Caramiaux. Human-centred Machine Learning. Proceedings of the 2016 CHI Conference Extended Abstracts on Human Factors in Computing Systems. pp. 3558-3565, 2016
  4. F Bevilacqua*, B Caramiaux*, J Françoise*. Perspectives on real-time computation of movement coarticulation. Proceedings of the 3rd International Symposium on Movement and Computing (MOCO), 2016 (* equal contribution) doi
  5. B. Caramiaux, A. Atlavilla, S. Pobiner, A. Tanaka. Form Follows Sound: designing interactions from sonic memories. ACM Conference on Human Factors in Computing Systems (CHI), pp. 3943-3952, 2015. (acceptance rate: 25%) doi
  6. B. Caramiaux. Motion modelling for expressive interaction: A design proposal using Bayesian adaptive systems. Proceedings of the 1st International Symposium on Movement and Computing (MOCO). pp.76-81, 2014 doi
  7. A. Van Zandt-Escobar, B. Caramiaux, A. Tanaka. PiaF: a tool for augmented piano performance using gesture variation following. Proceedings of the International Conference on New Interfaces for Musical Expression (NIME). pp. 167-170, 2014
  8. B. Caramiaux, A. Tanaka. Machine learning of musical gestures. Proceedings of the International Conference on New Interfaces for Musical Expression (NIME). pp. 513-518, 2013
  9. A. Altavilla, B. Caramiaux, A. Tanaka. Towards gestural sonic affordances. Proceedings of the International Conference on New Interfaces for Musical Expression (NIME). pp. 61-64, 2013
  10. M. Donnarumma, B. Caramiaux, A. Tanaka. Muscular interactions: combining EMG and MMG sensing for musical practice. Proceedings of the International Conference on New Interfaces for Musical Expression (NIME). pp. 128-131, 2013
  11. B. Caramiaux, F. Bevilacqua, A. Tanaka. Beyond recognition: using gesture variation for continuous interaction. Extended Abstracts on Human Factors in Computing Systems (CHI, alt.CHI). pp. 2109-2118, 2013 (acc. rate: 30.3%) doi
  12. A. Tanaka, B. Caramiaux, N. Schnell. MubuFunkScatShare: gestural energy and shared interactive music. Extended Abstracts on Human Factors in Computing Systems (CHI). pp. 2999-3002, 2013 doi
  13. F. Bevilacqua, N. Schnell, N. Rasamimanana, J. Bloit, E. Fléty, B. Caramiaux, J. Françoise, E. Boyer. De-Mo: designing action-sound relationships with the mo interfaces. Extended Abstracts on Human Factors in Computing Systems (CHI). pp. 2907-2910, 2013 doi
  14. S. Fdili Alaoui*, B. Caramiaux*, M. Serrano, F. Bevilacqua. Movement qualities as interaction modality. Proceedings of the Designing Interactive Systems Conference (DIS). pp. 761-769, 2012 (acc. rate: 19.8%) Mention Honorable (*contribution égale) doi
  15. J. Françoise, B. Caramiaux, F. Bevilacqua. A hierarchical approach for the design of gesture-to-sound mapping. Proceedings of the 9th Sound and Music Computing Conference. pp. 233-240, 2012
  16. K. Nymoen, B. Caramiaux, M. Kozak, J. Torresen. Analyzing sound tracings: a multimodal approach to music information retrieval. Proceedings of the 1st international ACM workshop on Music Information Retrieval with User-Centered and Multimodal Strategies. pp. 39-44. 2011 doi
  17. B. Caramiaux, P. Susini, T. Bianco, F. Bevilacqua, O. Houix, N. Schnell, N. Misdariis. Gestural embodiment of environmental sounds: an experimental study. Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), pp. 144-148. Oslo, Norway. 2011
  18. B. Caramiaux, F. Bevilacqua, N. Schnell. Sound Selection by Gestures. Proceedings of the International Conference on New Interfaces for Musical Expression (NIME). pp. 329-330, 2011
  19. B. Caramiaux, S. Fdili Alaoui, T. Bouchara, G. Parseihian, M. Rébillat. Gestural auditory and visual interactive platform. Proceedings of the 14th International Conference on Digital Audio Effects (DAFx-11), 2011
  20. S. Fdili Alaoui, B. Caramiaux, M. Serrano. From dance to touch: movement qualities for interaction design. Extended Abstracts on Human Factors in Computing Systems (CHI). pp. 1465-1470, 2011 doi
  21. B. Caramiaux, F. Bevilacqua, N. Schnell. Analysing Gesture and Sound Similarities with a HMM-based Divergence Measure. Proceedings of the 6th Sound and Music Computing Conference (SMC). 2010

Abstracts, Workshops

  1. B. Caramiaux, M. Wanderley, C. Palmer. Effect of variable tempo learning on skill acquisition. APCAM workshop (abstract). 2016
  2. M. Küssner, B. Caramiaux. Motor invariants in gestural responses to music. International Conference on the Multimodal Experience of Music (ICMEM), abstract. 2015
  3. B. Caramiaux, F. Bevilacqua, N. Schnell. Study on Gesture-Sound Similarity. 3rd Music and Gesture Conference, abstract. 2010

Thesis, Reports

  1. E. Boyer, B. Caramiaux, S. Hanneton, A. Roby-Brami, O. Houix, P. Susini, F. Bevilacqua. Sensori-motor learning in movement-sound interactive systems: a review. Technical Report (review) 2014
  2. B. Caramiaux. Études sur la Relation Geste–Son en Performance Musicale. PhD Thesis, UPMC. 2012.
  3. B. Caramiaux, F. Bevilacqua, B. Zamborlin, N. Schnell. Mimicking Sound with Gesture as Interaction Paradigm. Technical Report, IRCAM. 2010
  4. B. Caramiaux. Gestification du son: Mapping adaptatif geste/son dans un contexte d’écoute et de performance musicale. M.Sc Thesis, UPMC 2008
  5. B. Caramiaux. G Interpolation of arbitrary meshes with Bézier patches. M.Sc Thesis, University Joseph Fourier, Grenoble. 2007